The Song of the Quarkbeast

The Song of the Quarkbeast by Jasper FfordeThe Song of the Quarkbeast by Jasper Fforde
Dragonslayer # 2
Hodder & Stoughton, 290 pages

As the background Wizidrical Power slowly builds after the Big Magic, King Snodd IV of Hereford realises the man who controls Magic controls almost anything.

But one person stands between him and his plans for power and riches: Jennifer Strange, sixteen-year-old acting manager of Kazam.

It may involve a trip on a magic carpet at the speed of sound to the Troll Wall, it may involve a second Quarkbeast sniffing around town. It might also involve the mysterious Transient Moose, and a powerless sorceress named Once Magnificent Boo. But one thing is certain: Jennifer Strange and her faithful assistant Tiger Prawns will not relinquish the noble powers of magic to big business and commerce without a fight.

The Last Dragonslayer was one of my favorite reads in 2011, and I’m not just saying that because Jasper Fforde is my favorite author. I absolutely loved Jasper Fforde’s YA debut, and I thought it was a hilarious and smart read. Silly me, though, that I didn’t know there was going to be a sequel to this. It totally took me by surprise, but I’m not complaining. A new Jasper Fforde? Of course I want that!

Jennifer Strange, the last dragonslayer in the Ununited Kingdom, is back, but she’s no longer the dragonslayer. She’s back to being the manager of Kazam, the magical placement industry where their sorcerers are hired to do various tasks in the kingdom for some moolah. The story opens with Jennifer, together with her apprentice Tiger Prawns, and the Kazam sorcerers, trying to find a missing ring for a whole wad of moolah. Jennifer thought this was good practice for their bridge building job due for the weekend, which could really put Kazam in the map. The job was a success, but it didn’t mean the bridge building gig was supposed to go smoothly. A magic license test later, Jennifer finds herself facing the possibility of Kazam being taken over by iMagic, their rival, arrested sorcerers, sorcerers turned to stone, and a prediction that the Great Zambini would return. For a while. And a Quarkbeast on the loose.

Okay, I just reread the previous paragraph and I realized that it doesn’t make any sense. Until you read this book, anyway. Fforde books tend to be that way — you’re better off understanding micrometers faster than in a Fforde book, but a Fforde book is just more interesting! There’s the usual fun chaos and hilarity in The Song of the Quarkbeast that is also present in all Jasper Fforde books. It takes a while to immerse oneself in any Fforde world, but it was kind of easy to get back into this, perhaps because the previous book was still fresh in my mind. Sort of. But it was fun seeing the familiar characters that I liked in the first book, as well as new characters. We see more of how magic works in the world. Reading only specific passages may sound absolutely absurd, but trust me, once you’re inside, it all just makes sense. Case in point (not spoilery, don’t worry):

Do I have to go down a well upside down while being sarcastic with a shoe tied around my neck? (p.39)

The scene: Tiger Prawns has to go down the well to retrieve the missing ring, and he carries a ball that lights up when he’s being sarcastic and he has a toddler’s shoe around his neck as a communication device so he can talk to the ones outside of the well. Did that make sense now? I hope so.

My favorite part in this book? The return of the Quarkbeasts! The Quarkbeast is my favorite character in the previous book, and since this is basically a book about those them, we find out more about it in this book. Who knew there were Quarkbeast flavors? (Up, Down, Charm, Strange, Top, Bottom) And that they’re still very scary and yet they’re friendly (well, it seems like it in the book). Here’s a passage about how important Quarkbeasts are:

“There can only be thirty six completely unique yet identical Quarkbeasts, and soon as the combinations are fulfilled, they will come together and merge into a single Quota of fully Quorumed Quarkbeasts.”

“What will happen then?”

“Something wonderful. All the great questions of the world will be answered…a Quarkbeast is more than an animal, it’s an oracle to assist mankind’s illusive search for meaning, truth and fulfillment.” (p. 172-173)

I know. It doesn’t make sense. But trust me, it’s hilarious.

However. As fun and enjoyable The Song of the Quarkbeast was, it didn’t feel as engaging as the first book was. Yes, there’s the usual fun, usual chaos and all the crazy things that sprung from the endless imagination of Jasper Fforde…but it just felt like there could have been more. I never had a clear picture of the story up until I was 2/3 in. Which may have been done on purpose, now that I think of it. Which is still good, okay, but I think it just pales a bit in comparison to The Last Dragonslayer.

Nevertheless, I still liked this. And of course I’m looking forward to the third book coming out this year, The Return of the Shandar. I still stand by what I said in my review for the previous book: if you’ve always thought of trying a Fforde but not sure where to start, or you feel intimidated with his adult books, then his Jennifer Strange books are a good ones to get your feet wet.

Oh, and after reading this book, I want my own Transient Moose.

Rating:

My copy: paperback from Fully Booked

Other reviews:
boom

Winter Town

Winter Town by Stephen EmondWinter Town by Stephen Emond
Little, Brown Books for Young Readers, 336 pages

Every winter, straight-laced, Ivy League bound Evan looks forward to a visit from Lucy, a childhood pal who moved away after her parent’s divorce. But when Lucy arrives this year, she’s changed. The former “girl next door” now has chopped dyed black hair, a nose stud, and a scowl. But Evan knows that somewhere beneath the Goth, “Old Lucy” still exists, and he’s determined to find her… even if it means pissing her off.

Garden State meets Nick and Norah’s Infinite Playlist in this funny and poignant illustrated novel about opposites who fall in love.

Winter Town is one of my most anticipated reads of 2011, mostly because I loved Stephen Emond’s other novel, Happyface. It was one of my favorite contemporary novels in 2010, with drawings to boot! So I was really very excited when my copy finally arrived, and just in time for Christmas. Don’t you think the cover makes this book fitting for December?1

Evan and Lucy are childhood best friends. Evan is this straight-A, all-around good guy who has a seemingly perfect family even if his dad is pretty demanding and has too many high expectations with him. Lucy, on the other hand, is this confident girl who’s not afraid to say what she thinks and the brains behind all her and Evan’s crazy antics during their childhood. Lucy moves away one winter after her parents’ divorce, and they barely kept in touch, until Lucy tells Evan that he’s visiting. Evan’s world practically stops and he drops everything to be with Lucy, even with the risk of his dad’s wrath. But Lucy is not the same confident brown-haired girl that he’s known now. Lucy is now dressed as a Goth, is quiet, and swings from one mood to the other. Evan is confused, but he’s determined to make the Old Lucy come out, even if it means going to extreme measures. But the thing is, does New Lucy want Old Lucy back? Or maybe it’s all just Evan?

Winter Town is the kind of book that quietly creeps up on you because it’s so…normal. I mean, it is meant to be normal because it’s contemporary, but there are no too many flashy things about it save for the illustrations. There’s no love at first sight, or magic, or ya jock and an unpopular girl or a popular girl and a geek getting together. It’s just about…best friends. Who secretly pine for each other. But first they had to deal with the changes and issues between them that they do not want to deal with first in fear of rocking the boat. This story set in winter time in a New England town was just so shockingly normal that it feels like it’s a breath of fresh air.

If you’d allow me to digress a bit. In my Catholic community, I often heard people share about their life, and how God changed it. More often than not, the sharing usually comes from people whose life was in total disarray until they find God and then things start to get better because they get a different perspective. The people with more or less normal lives, the ones who do not come from as dark of a past as the others, often listen rather than share, because let’s face it: people who had to go through bigger things often have a bigger lesson to share compared to those whose lives are normal and okay. Reading Winter Town and getting to know the two main characters reminded me of that. The book is told in two perspectives, which I was pleasantly surprised to find out later in the book. On the normal side, there’s Evan — and when I say normal, I mean absolutely normal. Save for the fact that his dad gives him a bit too much pressure in school, and despite his grades, he has no idea where to go or what to do or what he wants to be in the future. He’s perfectly okay going with the flow because it’s easier than swimming against the current. And oh, how I related to Evan so much because I pretty much had the same life. Not that I’m complaining now, because I sort of know better now that I’m older, but my dear Evan, I know how it feels to be so lost in the normalcy. Lucy, on the other hand, is on the other side of the spectrum, at least when she shows up a year after she left. It’s been a bad year for Lucy and all she wants is to forget, but she makes a mistake of relying too much on the stability of her best friend so her own world would be stable. I couldn’t relate to Lucy but I wanted to hug her and tell her it will be better because she just seemed so sad. And when her problems were finally revealed, it really made me feel sorry for her, not because it was particularly earth shattering, but it’s just something that anyone should experience, especially with how I’ve gotten to know her with how Evan described Lucy. The differences of these two main characters make Winter Town easy to relate to, because I’m pretty sure we are all Evans and Lucys at some point in our lives (and maybe until now).

Like I said, the story was pretty normal but that doesn’t mean it’s too ordinary not to warrant enough attention. I liked how the author tackled some questions about being up front with your past and dealing with your problems rather than running away from them, finding out what you really want and going after them even if it means not doing what other people expects of you and of course, friendship and romance and the thin line between that. It’s about time someone deals with that, and I think Stephen Emond manages to do that quite realistically.

Winter Town chapter spread

But the real highlight of Winter Town is really the illustrations. I wouldn’t expect anything less from someone who made me a fan of his work with just one book (and someone who generously drew me a picture of myself with a sunflower and books — look up at the banner!). I had to admit, I was expecting the book to be a little like Happyface, you know, sort of like a scrapbook/journal type of thing, so I was kind of surprised to see that it’s a prose with illustrations on the side. Which isn’t bad, of course. The illustrations were amazing, as expected, and they were a good complement to the text, especially because there were some times when I felt a little bit disengaged with the story. I guess I was kind of expecting an atmospheric read, something that would make me really feel winter as I read it2, but sometimes it didn’t really feel that way. There were times when I felt a little bit disconnected with the text, like I wish there would be a bit more description of the things happening and the places and the events, but then the illustrations would pull me back into the story. It makes me wonder now how the reading experience with the book be if the illustrations were removed. While I think the story will still be able to stand on its own, I bet it wouldn’t be as entertaining. Then again, removing the illustrations is pointless because Winter Town was made to be with illustrations. So…maybe I should stop nitpicking and just need to read more novels with pictures.

Comics in between the chapters

But enough blather. Overall, I liked Winter Town. While I wasn’t really as enamored with this as I was with Happyface, I still think Winter Town was still a very good read. It kind of breaks the mold of contemporary YA by…not really breaking it, if you get what I mean. I think that everyone will be able to find something to relate to in this book, whether you’re an Evan or a Lucy. The lessons of the story were pretty solid, and I really liked the ending: sweet, hopeful and open ended — just the way I like it. :)

Rating:

My copy: hardbound from Book Depository

Other reviews:
Forever Young Adult
Midnight Bloom Reads


  1. Of course, I forgot the book in the office during Christmas weekend, so I didn’t finish this until after Christmas. []
  2. Especially since it never snows here! []

Angelica’s Daughters

Angelica's DaughtersAngelica’s Daughters by Cecilia Manguerra Brainard, Susan Evangelista, Veronica Montes, Nadine Sarreal, Erma M. Cuizon
Anvil Publishing, 201 pages

Angelica’s Daughters is a collaborative novel by five established Filipina writers, called a “dugtungan.” A dugtungan is a genre of Tagalog novel popular early in the 20th century, in which each writer creates a chapter and hands it off to the next, who writes another chapter without direction. The result, in this case, is an ensemble performance that contains something of the exhilaration of theatrical improv. One watches these accomplished authors inventively weave a historical romance, creating gripping heroines and turns of plot, crossing decades and national boundaries, tapping into cultural roots of the Philippines, Spain and America. Reading Angelica’s Daughters is a gripping experience.~ Brian Ascalon Roley, Author of American Son (W.W. Norton)

One time during junior year in high school, my friends and I started scribbling on spare pieces of notebook paper. It was a story about a group of friends that we started passing around our group, leaving a part hanging so the next person could continue the story. We never finished the story, but I remember we had a colorful cast of characters, and I ended up continuing the story and posting a snippet of it somewhere that I cannot remember for the life of me. Anyway, we also had the same kind of exercise during my college literary folio days — one would start a story and then another would pick it up. I adopted that exercise for our NaNoWriMo group, and although it never really flew, it was a fun project.

So that’s really one of the reasons why I was curious about Angelica’s Daughters. This book is a collaborative “dugtungan” novel by five authors: Cecilia Manguerra Brainard, Susan Evangelista, Veronica Montes, Nadine Sarreal, Erma M. Cuizon. They are all writers on their own but their friendship (and writing classes) led them to collaborate on different short stories. One day they decided to upgrade into writing a novel, passing on an idea and a chapter to one another, until they came up with the story of Angelica.

Angelica’s Daughters revolved around three female descendants of Angelica de los Santos. First was Tess, whose 8 years of marriage dissolved after she found out her husband Tonio has left his mens wedding ring behind and was dating a younger woman. She flies home to the Philippines to gather her thoughts and herself and spends time with her Lola Josefina. Josefina had secrets of her own, one that she wasn’t sure that her granddaughter (or anyone else in the family would understand). In the course of Tess’ stay, a cousin gives her a bundle of letters from their Angelica, a distant grandmother who was the subject of many of her childhood stories. They were never really sure if all those stories about Angelica were real or not — like how a guy killed himself when Angelica refused to give him her love, or how wives were often jealous of her because of her beauty. Through the letters, Tess got to know her better but there were holes in the story that she longed to be filled. On the annual Tayabas fiesta, Tess meets her younger cousin, Dina, who carries a darker secret that is eating her alive.

As I was thinking of how I was going to review this book, I realized one thing: Angelica’s Daughters could pass as a perfect comfort read. It’s like the local version of a Sarah Addison Allen novel, but maybe even a bit better because it hits closer to home for me. There’s a certain grace and lyricism in the prose that makes me immediately sink into it, and marvel at the familiar feelings it evoked. There’s really something about a well-written Filipino work that just hits the right spot, like how a perfectly cooked dish can satisfy the strongest craving. Case in point, this particular line:

She served herself generously from the garlic fried rice and daing. She took her first bite and closed her eyes with pleasure.

I totally started salivating for garlic fried rice and daing (dried salted fish, for my non-Filipino friends) after I read this line. :) The entire novel had that feel of home that made it such a good comfort read.

Besides that, the book also had an interesting angle of history. This kind of reminds me a bit of old history readings in school, or watching movies based on Philippine history. Note that it didn’t really have the “required reading for school” feel, but it provided a sense of nostalgia for the early Spanish era in Philippine history. Angelica’s letters to her aunt and her stories were vivid and she felt very much alive in those letters. She may not be the nicest or the most honest character, but she is a well-formed character that it’s hard not to be curious about her as the book goes on.

I had a few nitpicks though. For one thing, I felt that Lola Josefina’s angle wasn’t really that explored, up until she admitted her secret to Tess. I wasn’t even aware that she was the third person in the story until I finally figured it out. Also, I thought Dina was introduced a little too late in the story, almost like she was an afterthought, like she was only there to be the receiver of Tess’ wrath.

Also, there was the dreaded insta-love. I wished there wasn’t an insta-love thing between Tess and Luis — I could accept Tess liking/lusting after him during the first time she met him and danced with him in the disco, but the idea of her falling in love with him felt a little too quick for me. I was never a fan of insta-love, anyway, and personally, I would’ve been fine if Tess ended up not having a love life in the end. After all, she still had to find herself after her marriage disintegrated.

Nevertheless, I thought Angelica’s Daughters was a well-written and enjoyable novel that deals with family, love and moving on from past mistakes. It’s chick lit, but it’s not really hardcore fluffy chick lit that I think even guys will like to read this. Plus that recipe for Angelica’s special tsokolate-espeso is a must-try. This is one of the good ones in Filipino fiction, and I hope more Filipinos get to read this book. :)

Rating:

My copy: paperback, birthday gift from Ariel

Other reviews:
Brush Up On Your Reading

More info:
Re: Angelica’s Daughters

Rage

Rage by Jackie Morse KesslerRage by Jackie Morse Kessler
(Riders of the Apocalypse # 2)
Harcourt Graphia, 213 pages

Missy didn’t mean to cut so deep. But after the party where she was humiliated in front of practically everyone in school, who could blame her for wanting some comfort? Sure, most people don’t find comfort in the touch of a razor blade, but Missy always was . . . different.

That’s why she was chosen to become one of the Four Horsemen of the Apocalypse: War. Now Missy wields a new kind of blade—a big, brutal sword that can cut down anyone and anything in her path. But it’s with this weapon in her hand that Missy learns something that could help her triumph over her own pain: control.

A unique approach to the topic of self-mutilation, Rage is the story of a young woman who discovers her own power and refuses to be defeated by the world.

Missy didn’t mean to cut so deep. She didn’t mean to, really. All she wanted was the comfort of the blade against her skin, the pain and the blood. She didn’t want to hurt herself seriously, she just wanted to make the pain of being humiliated by her ex-boyfriend go away. But as she lay dying, Death intervenes and gives her a new blade – the sword of one of the Horsemen of the Apocalypse, War. Now Missy is also War and her sword can cut down anything and anyone that goes in her path. The power was addictive, but Missy must learn control else she is rid of her title and will be back in her room dying from cutting herself too deep.

It’s been a while since I last read Hunger by Jackie Morse Kessler and I almost totally forgot about having its sequel, Rage in my Kindle. I enjoyed Hunger a lot, so I was looking forward to reading the next book about War even if I had to read the last few pages of Hunger first to remember what happened to Famine.

Missy didn’t mean to cut so deep. This line alone was an indicator of what kind of issue book Rage will be. Rage deals with self-mutilation, where the person deliberately injures themselves without any intent of suicide. I remember there were days the older sister of a friend was showing us how to cut out a name on her arm so the scars would form the word — a different kind of tattoo. It was kind of fascinating, but I was too chicken to really do it. That, and I don’t have any name to carve on my skin, anyway.

But that was the closest I got to seeing self-mutilation face to face. I’m ashamed to admit that this has become a little joke among my friends and I, especially when we talk about something sad or “emo” and we’d often make slash-wrist movements to emphasize the point. I realize now that that may not be the most sensitive thing to do after I read Rage, especially since self-mutilation is really no laughing matter.

I liked Rage. It was different from Hunger, mostly because of the main character. Missy is angry and sad and her reactions to things around her. The War persona fit her personality because she bore so many grudges. They weren’t senseless grudges, though — what happened to her was really bad, and it saddens me to think that it may happen or have already happened in real life. I couldn’t relate to Missy, but I really sympathized with her so bad and I wished the people around her would give her a break. The main issue was handled well enough that it gives the reader information on what it is about and why they do it, and how to find a way out of it, all creatively wrapped around the idea of what War can do not to bring war but peace. That being said, though, the fantasy elements took a bit of time getting used to and it took me a while to connect how War could be helpful instead of destructive. Nevertheless, it was still pretty cool and engaging.

Rage falls into the category of books that are important to read because of the issues it tackle. I really applaud the author for doing this, and I can’t wait to read about Pestilence (the book is entitled Loss, and the premise sounds awesome) and Death in the next installments of the Riders of the Apocalypse series.

Rating:

My copy: ebook from Netgalley

Other reviews:
All of Everything
The Book Smugglers

Reviews of other books in the series:
#1 Hunger

The Chronicles of Narnia # 3: The Horse and His Boy

The Horse and His BoyThe Horse and His Boy by C.S. Lewis
(The Chronicles of Narnia # 3)
Scholastic, 224 pages

When Shasta discovers he is not Arsheesh’s son and therefore does not belong in the cruel land of Calormen, he joins forces with Bree the talking horse and flees north towards Narnia, where freedom reigns.

And so begins their hazardous journey, fraught with mystery and danger. Calormen’s capital city of Tashbaan must be crossed, a harsh desert endured, the high mountains of Archenland climbed, their enemies overcome. For the young Shasta it is an adventure beyond his wildest dreams and one destined to change his life forever.

There was a brief mention of The Horse and His Boy in The Silver Chair, and it was known as a tale told to kids during High King Peter’s time. The recommended order of reading the Narnia series sometimes switches this book with The Silver Chair, so as I was reading this I wondered if there would be a difference if I read this first before the other one, even if they were almost completely unrelated. I did miss the Pevensie siblings in the last book, so it was nice to be back in time for a bit to read about them as minor characters in the story.

Shasta is a fisherman’s son, and he’s often treated cruelly by his father, Arsheesh. One night, he heard his father discussing with a visitor about selling Shasta. Resigned to accept his fate, he was surprised when the visitor’s horse started talking to him. It turns out that the horse, who Shasta named Bree, was a Narnian horse, and everyone knows that all animals in Narnia speak. Bree invites Shasta to escape and head to Narnia up North, and the boy agrees, even if he knew nothing of riding a horse (much less own his own pair of riding boots) or how they would get to Narnia. All he knows is that he doesn’t have anything left at Calormen, and he’s always been attracted by the North. So begins Bree and Shasta’s adventures, where they meet another escapee, get chased by lions, cross an enemy kingdom and treacherous deserts, and somewhere along the way, Shasta finds out something about himself that changes his life forever.

Of all the Narnia books I have read so far, I had a hard time writing a review for this one. I’m not sure why, except that I can’t decide if I like the book or not. As with all the other Narnia books, The Horse and His Boy is classic fantasy: a character with an unknown heritage, talking creatures, a quest and villainous plan to get a queen and destroy a kingdom. It’s a good tale and it feels like this book could really be read even with little knowledge of what Narnia was about.

I enjoyed reading this, except maybe I was looking for something similar to The Silver Chair. You know, that sense of adventure, of going on a quest for Aslan, and the fact that everyone who’s been to Narnia knows who Aslan was, so the excitement of him saving the day was anticipated. Being foreigners from Narnia, the characters in this book know Aslan as a legend, or as a spirit that comes in the form of a fearsome lion. Another thing is that I was so used to reading about Narnia ruled by Caspian the Tenth and not by the Pevensie siblings, so actually reading about Susan and Edmund being King and Queen and doing royalty stuff was a novelty.

I guess what I want to say is The Horse and His Boy was a different kind of Narnia book. Don’t get me wrong — it’s good, but I guess I needed a little time to really get it and like it. I liked how everything turned out in the end. I also liked how C.S. Lewis stressed how there was a purpose with everything that happened to the characters, that Shasta’s adoption wasn’t a mistake and that even being chased by a lion in the desert had a reason behind it and it was all for their good. This book reminds me to keep on believing that despite the bad things that happen in our lives. There is a purpose, and we might not see it now, but it will eventually be revealed in the end.

If The Silver Chair was a book that seemed to gear towards people who have been believers for a while and who need a reminder of the “instructions” from Aslan, I think The Horse and His Boy is written for those who are new in the faith, for them to find someone to relate to in the form of Shasta and his companions in discovering who Aslan is. The theology wasn’t as “blatant” (well that’s what other people call it) as the ones in the others book, which makes it perfect to share with people who are curious about Christianity and for people to re-read.

Rating:

My copy: paperback, from Scholastic Book Fair at our office

Other reviews:
Bookie Woogie
Random Musings of a Bibliophile

Reviews of Other Narnia Books:
#2: The Lion, The Witch and the Wardrobe
#4: Prince Caspian
#5: The Voyage of the Dawn Treader
#6: The Silver Chair


Pink

Pink by Lili WilkinsonPink by Lili Wilkinson
HarperCollins, 304 pages

Ava has a secret. She is tired of her ultracool attitude, ultra-radical politics, and ultrablack clothing. She’s ready to try something new—she’s even ready to be someone new. Someone who fits in, someone with a gorgeous boyfriend, someone who wears pink.

Transferring to Billy Hughes School for Academic Excellence is the perfect chance to try on a new identity. But just in case things don’t work out, Ava is hiding her new interests from her parents, and especially from her old girlfriend.

Secrets have a way of being hard to keep, though, and Ava finds that changing herself is more complicated than changing her wardrobe. Even getting involved in the school musical raises issues she never imagined. As she faces surprising choices and unforeseen consequences, Ava wonders if she will ever figure out who she really wants to be.

Humor, heart, and the joys of drama—on- and offstage—combine in Ava’s delight-fully colorful journey of self-discovery.

Ava is sixteen, and she has a secret. No, her secret is not that she’s gay and that she has a girlfriend. Her secret is this: she wants to be a normal girl. Ava is 16, and she has very liberal parents and she has an ultra-radical, ultra-feminist and ultra-cool girlfriend, Chloe, who she knows she loves. But Ava is tired of being ultra-cool and always wearing black. She wants to care about school. She wants to study. She wants to fit in. She wants to even try dating a guy. And, she wants to wear pink. So Ava works her butt off so she can get a scholarship to Billy Hughes School for Academic Excellence, so she can try to have a normal life without the knowledge of her girlfriend or her parents. She gets in, and she immediately wants to be a part of the popular crowd up until it was time for the audition for the school musical. Ava tried out for a part, but fails miserably, and ends up joining the stage crew, a group of “losers” according to the popular group. However, as Ava spends more time with her new friends — she is not even sure who are the real friends, if it’s with the stage crew or the popular kids — she finds it harder and harder to keep her secrets.

I have this weird compulsion to acquire pink things. Some people I know in real life are often amused at the number of pink things I own. Would you believe that even in acquiring a gadget, the availability of the color pink is a factor in my decision? :p I used to deny that my favorite color is pink because I thought it was too girly, but as I grew older I cannot deny the fact that I kept on gravitating towards that color. But that’s really not the reason why I wanted to read Pink by Lili Wilkinson. I borrowed this from my friend Celina after Chachic was done with it because I was curious with all the positive reviews that this book has been getting from other bloggers I know. That, and it was written by an Australian author, and based on experience, Australian YA books are always good reads. And so here we go.

I have to agree with almost everyone else that Pink was loads of fun. This book had all the ingredients of a typical contemporary novel: somewhat outrageous premise, popular and unpopular kids, parties and secrets, but I liked how the author made these elements more interesting with other details, such as the theater set up! I loved reading about Ava’s experiences as part of the stage crew. Back in high school, we used to produce stage plays for one class and I have always loved that time of the year when we had to do rehearsals, find costume and music and then stay up late in school to set up our stage and props and fix the music. I’ve never been one to want to be onstage — I tend to avoid that as much as possible. I love working backstage more. My favorite scenes in the book would have to be the ones when they were busy setting up the lights and their first run (their dress rehearsal, I think?), where Sam was in the main control room giving orders to everyone through their headsets. Our high school didn’t have that, but we had a main control room for the sounds, and I can remember how cool I felt when I wore a headset for a production for my church community with that scene.

I generally liked all of the characters, although I felt a bit lost with Ava. Ava was definitely confused, and I have to be patient with her at times because I have to remember she’s young and some stupid decisions are made when we do not know better. Some of her mistakes were not just stupid but downright mean, and I felt like sometimes I was just waiting for a car crash to happen. It’s not that I had a hard time connecting with Ava . I just wished she would not keep on swinging everywhere to please people and just try to look at what she wants. I also thought some of the characters felt a little bit cardboard, although they did gain more dimension in the end. And I know I was supposed to be on the Ava-Chloe team but Chloe really annoyed me with all her feminist/liberal/I’m-too-cool-for-these-things talk. Seriously? I had to sympathize with Ava there — it must be exhausting to keep up that kind of image if it does not come to you naturally.

I liked that the author did not go for a 100% happily ever after ending, although I felt like Ava did not really resolve all her own issues there. She seemed less confused in the end, but I’m afraid she ended up as one of those female protagonists that I would remember for that and not for her strength.

I also loved all the geeky Wikipedia talk, and the random facts that Sam blurts out in the conversations. This is a guy who would rather read than play Nintendo DS. I would definitely insert a character like that in my next novel. :P Despite my misgivings with some of the main character, I still thought Pink was still pretty entertaining read. And I’m not just saying that because my favorite color is pink. :)

Rating:

My copy: borrowed from Celina

Other reviews:
Chachic’s Book Nook
Steph Su Reads
Persnickety Snark
The Crooked Shelf


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