Love Starts with Elle by Rachel Hauck
Thomas Nelson, 320 pages
Elle’s living the dream-but is it her dream or his?
Elle loves life in Beaufort, South Carolina-lazy summer days on the sand bar, coastal bonfires, and dinners with friends sharing a lifetime of memories. And she’s found her niche as the owner of a successful art gallery too. Life is good.
Then the dynamic pastor of her small town church sweeps her off her feet. She’s never known a man like Jeremiah-one who breathes in confidence and exhales all doubt. When he proposes in the setting sunlight, Elle hands him her heart on a silver platter.
But Jeremiah’s just accepted a large pastorate in a different state. If she’s serious about their relationship, Elle will take “the call,” too, leaving behind the people and place she loves so dearly. Elle’s friendship with her new tenant, widower Heath McCord, and his young daughter make things even more complicated.
Is love transferable across the miles? And can you take it with you when you go?
A week ago, some colleagues and I were discussing relationships and romance, and how one must go in choosing a mate. Perhaps “choosing a mate” is not the proper phrase to use (frankly it sounds a bit too bestial for me), but the discussion was about how the other person can be qualified as a potential guy or girl or will they be cast off into the friend zone. It was quite an interesting discussion, and I was surprised at how some of the guys told me that I needed to find someone who I don’t share too many common interests with but someone who is my opposite — someone who complements me, to use their term. That kind of got me confused. I mean, I know people say “Opposites attract” but if you have no common ground, how will you even start talking? Isn’t having something in common — even a little — a prerequisite in building good relationships?
It’s timely that I started reading Love Starts With Elle by Rachel Hauck as I semi-wrestled with these questions. We first meet Elle Garvey in Sweet Caroline, as one of Caroline’s best friends and someone who could not wait to get married. She was so set to find a man in Beaufort that she started Operation Wedding Day in Caroline’s book, where she made a list of men that are qualified for her husband standards and set off to date them, only to find herself disappointed after kissing and dating many frogs that she hoped would be her prince. We see her at the end of Sweet Caroline done with her Operation Wedding Day and still no groom in sight, and yet she was still somewhat happy at the state of her heart.
We meet Elle again, this time a year after the events of Sweet Caroline, happily managing her own gallery and in love with assistant pastor Jeremiah Franklin for the past two months. Elle is at the peak of her career and life, and there was only one thing that would make her happier — a ring. Jeremiah provided that for her immediately at the start of the story, but not without revealing a catch soon after she gives her yes: they would have to move to Dallas because Jeremiah accepted the a pastor job at a big church there. Elle felt torn, and even if there was probably more flowers in Houston TX, she said yes to Jeremiah, all in the name of love (cheesy, but it’s the only way I can describe it).
It’s here we see trouble brewing. Elle tries her best to submit to her husband-to-be’s whims and wishes, but she can’t help but feel stifled with Jeremiah’s passion for ministry and lack of concern for her. Elle loves Jeremiah, but she also loves her life and her dream and her art — one of them will have to give, but which? To make matters even more confusing, Elle becomes friends with her tenant, handsome and gentleman Heath McCord and his daughter, who both just happen to be there when she needed company the most.
Now, there is really nothing new or surprising in this novel, and I think everyone who’s read the blurb will know what will happen in the end. And it is true: there’s really nothing so surprising in how the story unfolded — the storyline is pretty typical. In a way, it reminded me of the local movie Miss You Like Crazy (John Lloyd Cruz and Bea Alonzo), with less angst and more chaste.
So why give it a pretty high rating, if the story’s so typical?